How 'Asteroid City' Production Designer Creates the Worlds of Wes Anderson | Vanity Fair

Production designer Adam Stockhausen shows us how he brings sets to life for Wes Anderson's iconic films like 'The Budapest Hotel,' 'The French Dispatch' and 'Asteroid City.' How do you get the retro look and feel of the Luncheonette scene? How do you portray depth and richness in each shot? How can you make sets "float" for the insides to be seen and be as light as possible? From ample research to gather all the intricate details to physically bringing the sets to life, Adam takes us through hi...

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